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EDUCATION |
1975
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Began studying traditional Ukiyo-e techniques at Uesugi Studio, Kyoto, JAPAN
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1981
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Became a Master Printmaker of woodblock printing
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SOLO EXHIBITION |
2008
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Art Zone, Kaguaoka Gallery, Kyoto, Japan
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2007
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Davison Art Center, "Keiji Shinohara: Color Harmony," Wesleyan University, Middletown, CT
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Tremaine Gallery, The Hotchkiss School, Lakeville, CT
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2006
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Fine Arts Center Gallery, "Woodcuts & Monotypes by Keiji Shinohara," Northern Kentucky University,
Highland Heights, KY
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Lamont Gallery, "Eastern Views," Phillips Exeter Academy, Exeter, NH
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2005
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Art Zone, Kaguaoka Gallery, Kyoto, Japan
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The Art Gallery, "Remembrance of Sylvan Sounds: Woodcuts & Monotypes by Keiji Shinohara,"
The University of the South, Sewanee, TN
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2004
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DFN Gallery, “New Paintings & Woodblock Prints,” New York, NY
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2003
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Highpoint Center for Printmaking, Minneapolis, MN
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2002
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Heuser Art Center Gallery, Bradley University, “Keiji Shinohara,” Peoria, IL
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2001
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Montgomery Museum of Fine Arts, “Art Now,” Montgomery, AL
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DFN Gallery, “Works on Paper,” New York, NY
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2000
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Fresno Art Museum, Fresno, CA
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1999
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DFN Gallery, “Space in Landscape,” New York, NY
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1998
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Artworks Gallery, Bergamot Station, Santa Monica, CA
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1997
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Worcester Art Museum, “Interpretation in Woodcut,” Worcester, MA
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1996
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Davison Art Center, “Interpretation in Woodcut,” Wesleyan University, Middletown, CT
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Artworks Gallery, Bergamot Station, Santa Monica, CA
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1995
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Weingart Art Center, Occidental College, Los Angeles, CA
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1994
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Benson Hall Gallery, Rhode Island School of Design, Providence, RI
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1993
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Asian Art Gallery, Chicago Institute of Art, Chicago, IL
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1992
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Zilkha Gallery, Wesleyan University, Middletown, CT
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Columbia Art Center, Kennewick, WA
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1991
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DeLuce Fine Art Gallery, Northwest Missouri State University, Maryville, MO
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Denison University Art Gallery, Denison, OH
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1990
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Design Zone Gallery, Toronto, Canada
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1989
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Francis Colburn Gallery, University of Vermont, Burlington, VT
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1988
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Fables Gallery, Cambridge, MA
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The T.E. Wood Art Gallery, Vermont College, Montpelier, VT
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1985
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Higashimon Gallery, Kobe, JAPAN
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GROUP EXHIBITIONS |
2007
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DFN Gallery, "Works on Paper," New York, NY
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2006
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Gallery of Contemporary Art at Sacred Heart University, "Water," Fairfield, CT
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DFN Gallery, "The Woods," New York, NY
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2005
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DFN Gallery, "10th Anniversary Show," New York, NY
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Moku Hanga at Union College, Schenectady, NY
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2004
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Montgomery Museum of Fine Arts, "Process of Printmaking," Montgomery, AL
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2003
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“The Fourth Engraving Biennial of Ile-de-France,” Versailles, FRANCE
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808 Gallery, Boston University, “North American Print Biennial,” Boston, MA
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2002
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DFN Gallery, “Works on Paper,” New York, NY
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2001
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Library of Congress, “The Floating World of Ukiyo-e: Shadows, Dreams, and Substance,” Washington, DC
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2000
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Cleveland Museum of Art, "East Meets West," Cleveland, OH
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DFN Gallery, “11X11X11 for Puffin,” New York, NY
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1999
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New England College Gallery, “Woodcut by Amparo•Antonio Frasconi•Keiji Shinohara,” Henniker, NH
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DFN Gallery, New York, NY
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1997
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John Slade Ely House Center for Contemporary Art, “Printmaking Imagery and Process,” New Haven, CT
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1995
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Kellogg Art Gallery, California State Polytechnic University, “Collective Realities,” Pomona, CA
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1994
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Bannister Gallery, Rhode Island College Art Center, “Japanese Impressions: Nancy Fries and Keiji Shinohara,”
Providence, RI
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1993
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Fuller Museum of Art, “Seventh Triennial,” Brockton, MA
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1991
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Mitzie Verne Collection Gallery, Cleveland, OH
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1988
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Blackthorne Gallery, Portsmouth, NH
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VISITING ARTIST/LECTURER |
2008
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Colorado College, Colorado Spring, CO
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2007
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University of Wisconsin at Madison, Madison, WI
RISD Museum, Providence, RI
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2006
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University of New Hampshire, Durham, NH
Cincinnati Art Museum, Cincinnati, OH
Carleton College, Northfield, MN
Harvard University, Cambridge, MA
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2005
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Allen Memorial Art Museum, Oberlin College, Oberlin, OH
Milwaukee Art Museum, Milwaukee, WI
University of Texas at Austin, Austin, TX
Japan Foundation, Los Angeles, CA
California Institute of the Arts, Valencia, CA
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2003
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Japan Society, New York, NY
University of Minnesota, Minneapolis, MN
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2002
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Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC
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2001
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Rice University, Houston, TX
Museum of Fine Arts Houston, Houston, TX
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2000
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College of the Holy Cross, Worcester, MA
Brooklyn Museum of Art, Brooklyn, NY
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1999
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Pennsylvania State University, State College, PA
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1998
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Fresno Art Museum, Fresno, CA
Westfield State College, Westfield, MA
Trinity College, Hartford, CT
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1997
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Brown University, Providence, RI
Wellesley College, Wellesley, MA
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1996
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University of Hartford, Hartford, CT
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1995
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Pasadena City College, Pasadena, CA
University of California at Santa Barbara, CA
Pacific Northwest College of Art, Portland, OR
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1993
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Chicago Institute of Art, Chicago, IL
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1992
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Quincy Art Center, Quincy, IL
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1991
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Western State College, Gunnison, CO
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1990
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Cornell University, Ithaca, NY
University of Wisconsin, Madison, WI
Whitman University, Walla Walla, WA
De Cordova Museum, Lincoln, MA
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1989
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California State University at Chico, Chico, CA
California State University at Los Angeles, Los Angeles, CA
The Cleveland Institute of Art, Cleveland, OH
Hunter College of the City University of New York, NY
Metropolitan Museum of Art, New York, NY
Mount Union College, Alliance, OH
Payson Gallery, Westwood College, ME
Portland School of Art, Portland, ME
Stanford University, Palo Alto, CA
University of Akron, Akron, OH
Walter Gallery, Baltimore, MD
William Benton Museum of Art, University of Connecticut, Storrs, CT
Yale University Art Gallery, New Haven, CT
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1988
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Brigham Young University, Provo, UT
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1987
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Drake University, Des Moines, IA [Seventh Biennial Printmaking Symposium]
Albany Institute of History and Art, Albany, NY
Fitchburg Art Museum, Fitchburg, MA
Portland Museum of Art, Portland, ME
University of Alabama, Tuscaloosa, AL
University of New Hampshire, Durham, NH
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1986
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Atlanta College of Art, Atlanta, GA
Harvard University, Cambridge, MA
High Museum, Atlanta, GA [Sponsored by the Consulate General of Japan]
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SELECTED WORKSHOPS |
2006
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University of South Dakota, Vermillion, SD
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2005
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Highpoint Center for Printmaking, Minneapolis, MN
Penland School of Crafts, Penland, NC
Split Rock Arts Program, University of Minnesota, St. Paul, MN
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2004
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Southwest School of Art & Craft, San Antonio, TX
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2002
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Paper Book Intensive, Haystack School of Crafts, Deer Isle, ME
Penland School of Crafts, Penland, NC
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2001
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University of South Dakota, Vermillion, SD
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1998
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Penland School of Crafts, Penland, NC
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1997
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Penland School of Crafts, Penland, NC
Worcester Art Museum, Worcester, MA
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1993
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Alliance for Contemporary Book Arts, Los Angeles, CA
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1990
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Pyramid Atlantic, Washington, DC
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1989
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Japan Center, Chicago, IL [Sponsored by the Consulate General of Japan]
Massachusetts College of Art, Boston, MA
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1988
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Springfield Museum of Fine Art, Springfield, MA
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1987
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Worcester Museum, Worcester, MA
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SELECTED PUBLIC COLLECTIONS |
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Achenbach Foundation, Fine Arts Museums of San Francisco, San Francisco, CA
Bradley University, Peoria, IL
The British Library, London, England
California State University at Chico, Chico, CA
Champion Paper, Inc.
Cleveland Museum of Art, Cleveland, OH
Davison Art Center, Wesleyan University, Middletown, CT
Grunwald Center for the Graphic Arts, Armand Hammer Museum, University of California, Los Angeles, CA
Harvard Art Museum, Harvard University, Cambridge, MA
Hite Art Institute, University of Louisville, Louisville, KY
Huntington Library, San Marino, CA
Library of Congress, Washington, DC
Mary Griggs Burke Foundation, New York, NY
Mills Gallery, Central College, Pela, IA
Montgomery Museum of Fine Arts, Montgomery, AL
New York Public Library, New York, NY
San Francisco Public Library, San Francisco, CA
Sprint Corporation, Overland Park, KS
Worcester Art Museum, Worcester, MA
Yale University Art Gallery, New Haven, CT
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COMMISSIONS |
Eight Views of Hirakata, (Color Woodcut) City of Hirakata
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2003
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Language of Her Body, (sumi-e illustrations) Robin Price, Publisher; Middletown, CT
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2002
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Romanza, (color woodcut) Montgomery Museum of Fine Arts
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2002
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Symphony, (color woodcut) Bradley University
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2002
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Rashomon, (Intaglio) Bradley University
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1998
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Ravaged with Joy, by William Everson, (woodcut illustrations) Robin Price, Publisher, Middletown, CT
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2000
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Wallace Stevens Broadside, poem by Wallace Stevens, (woodcut illustrations) The Friends and Enemies of Wallace
Stevens, Publisher, Hartford, CT
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CATALOGS |
2007
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Keiji Shinohara: Color Harmony by Clare I. Rogan. Wesleyan University.
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2005
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Remembrance of Sylvan Sounds: Woodcuts and Monotypes by Keiji Shinohara by Mitsutoshi Oba.
The Art Gallery, The University of the South, Sewanee, Tenn.
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2001
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Keiji Shinohara: Art Now by Irja J. Thurlow, Montgomery Fine Art Museum
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1997
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Keiji Shinohara: Interpretations in Woodcut by Elke A. Pessl, Davison Art Center, Wesleyan University
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1992
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Keiji Shinohara Woodblock Prints by Phillip Wagoner, Wesleyan University
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1991
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Keiji Shinohara edited by Elaine Sayoko Yoneoka, Missouri State University
Asian American Artists in Massachusetts, Asian American Artists Association
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BIBLIOGRAPHY |
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Tamer Muerte "Keiji Shinohara," City Beat, Cincinnati, October 24, 2006
Dustan Knight "Eastern Views Woodcuts by Keiji Shinohara," Art New England, June/July 2006
Yuling Huang, “Art Now: Keiji Shinohara,” Art Papers, May/June 2002
Katherine L. Blood, The Floating World of Ukiyo-e, Harry N. Abrams, Inc. in association with The Library of Congress, 2001
Tara Cady Sartorius, “Echo of the Eye,” arts & activities, September 2001
Mary Sherman, “Keiji Shinohara: Interpretations in Woodcut,” Boston Herald, July 3, 1997
Frank Magiera, “Old Methods, new paths,” Telegram and Gazette Arts, June 10, 1997
Robert Taylor, “Japanese Artist Captures the West,” The Boston Globe, July 25, 1997
William Zimmer, “Keiji Shinohara: Interpretations in Woodcut,” The New York Times, September 29, 1996
Alicia Craig Faxon, “Japanese Impressions: Recent Prints by Nancy Friese and Keiji Shinohara,”Art New England, April/May 1995
Robin Price, "Keiji Shinohara and the Art of Ukiyo-e,” Bookways, October 1993
Jana Monji, "Prints of a New Generation,” Rafu Shimpo, August 3, 1993
Joanne Silver, "Japanese find their art thrives in U.S.,” The Patriot Ledger, March 19, 1988
Joan Ladd, The Tuscaloosa, March 22, 1987
Paul Nolan, "Master Printmaker Shows Waning Art,” Worcester Telegram, March 2, 1987
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TELEVISION/RADIO INTERVIEWS |
Kathia Manzi, "Voices," WSRS (FM), June 20, 1997
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GRANTS |
2004
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Visiting Professor Fellowship. AKP Doshishiya University. Kyoto.
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1995
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Japan Foundation
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1993
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National Endowment for the Arts
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TEACHING |
1995-present
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Visiting Artists and Faculty Fellow, Wesleyan University, Middletown, CT
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1997-2000
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Summer Faculty, San Francisco Art Institute, San Francisco, CA
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1994
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Visiting Professor, Rhode Island School of Design, Providence, RI
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| back to paintings
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